Constantine (2005)
Directed by Francis Lawrence
Written by Kevin Brodbin & Frank Cappello

I couldn't make heads or tails of this ponderous existential horror flick. I didn't mind watching it, as it was visually kick-ass throughout, but I couldn't shake the feeling that one would have to have read thousands of pages of Hellblazer comics to make any sense of the story.

Keanu Reeves is sort of Fox Mulder by way of Father Merrin from The Exorcist, devoting his life to tracking down and ass-whoopin' minions of the Devil, as some kind of self-punishment for a long-ago murder. He hopes that doing God's grunt work will renew his chance at getting into Heaven.

The script plays out much like the high-school sketchbook of an aspiring graphic-novelist contending with the bitterness of a Catholic upbringing. Having not been raised Catholic (my family's religion centered around congregating in a "church" my Dad built in the backyard and worshipping Flip Wilson, mostly via TV), I'm at a consistent loss to see why every angry ex-Catholic feels such a driving need to do battle with the Bible. Every time I see stories that attempt to "riff" on Christian good-versus-evil themes, I roll my eyes impatiently, endlessly reminded of being harangued by the many brooding artists I've known who think it's somehow novel to suggest, like, that Lucifer also had a son!

To those raised with religion, perhaps this is an intriguing concept. To me, it's a big blank-stare. I can't really say anything about Constantine was bad, but I feel entirely incapable of saying whether it was any good, either.

blank stare

Loud Bassoon rating scale

Review by Teodor Dockery